{"id":217,"date":"2021-01-10T17:43:40","date_gmt":"2021-01-10T17:43:40","guid":{"rendered":"http:\/\/museum-inside-out.com\/?page_id=217"},"modified":"2021-01-14T15:00:05","modified_gmt":"2021-01-14T15:00:05","slug":"museums","status":"publish","type":"page","link":"https:\/\/museum-inside-out.com\/index.php\/museums\/","title":{"rendered":"Museum Studies"},"content":{"rendered":"\n

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Foucault\u2019s Museum: Difference, Representation, and Genealogy<\/a><\/strong>
Beth Lord
Abstract<\/strong> – Foucault\u2019s work has been used to promote a negative view of the museum as an Enlightenment institution that embodies state power and strives to order the world according to universal rules\u00a0and the concept of a total history. This article argues that an analysis of Foucault\u2019s work actually leads to a view of the museum that is positive and progressive for dismantling the very notions of\u00a0historical continuity and coherence that Foucault rejects. This gives\u00a0the museum a unique status for Foucault, as an institution that has its origins in the Enlightenment values or \u2018capabilities\u2019 that enable us to overcome the relations of power that\u00a0are based on those Enlightenment values. The museum exemplifies the tension in Foucault\u2019s position on the Enlightenment: that we must rely on Enlightenment values of critique, freedom and progress in order to reject the Enlightenment relations of power that have been based on these values. The first part of the paper suggests a Foucaultian definition of the museum as aspace of difference and space of representation. The second part argues that on the basis of this definition, the museum has the potential to enact Foucault\u2019s genealogy, and to contribute to progress.
Article Here<\/a><\/p>\n\n\n\n\n\n

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Nazir: G\u00fcrc\u00fcstan-Az\u0259rbaycan dostlu\u011fu b\u00fct\u00fcn \u00f6lk\u0259l\u0259r\u0259 n\u00fcmun\u0259 olmal\u0131d\u0131r <\/a><\/h5>\n\n\n\n

M\u018fD\u018fN\u0130YY\u018fT<\/a> 19 Sentyabr 2013 <\/p>\n\n\n\n

\"Nazir:<\/p>\n\n\n\n

Az\u0259rbaycan, Bak\u0131, 19 sentyabr \/Trend\/<\/p>\n\n\n\n

G\u00fcrc\u00fcstan M\u0259d\u0259niyy\u0259t v\u0259 Abid\u0259l\u0259rin M\u00fchafiz\u0259si Nazirliyinin, Az\u0259rbaycan D\u00f6vl\u0259t Neft \u015eirk\u0259tinin G\u00fcrc\u00fcstan n\u00fcmay\u0259nd\u0259liyinin d\u0259st\u0259yi, Az\u0259rbaycan\u0131n G\u00fcrc\u00fcstandak\u0131 s\u0259firliyinin, Az\u0259rbaycanl\u0131lar\u0131n M\u0259d\u0259niyy\u0259t M\u0259rk\u0259zinin v\u0259 G\u00fcrc\u00fcstan A\u015f\u0131qlar Birliyinin t\u0259\u015f\u0259bb\u00fcs\u00fc il\u0259 Marneuli rayonunun K\u0259p\u0259n\u0259k\u00e7i k\u0259ndind\u0259 XX \u0259sr Az\u0259rbaycan a\u015f\u0131q s\u0259n\u0259tinin g\u00f6rk\u0259mli n\u00fcmay\u0259nd\u0259l\u0259rind\u0259n biri, Az\u0259rbaycan\u0131n \u0259m\u0259kdar m\u0259d\u0259niyy\u0259t i\u015f\u00e7isi, m\u0259rhum A\u015f\u0131q Kamandar \u018ff\u0259ndiyevin b\u00fcst\u00fcn\u00fcn v\u0259 ev muzeyinin a\u00e7\u0131l\u0131\u015f\u0131 olub.<\/p>\n\n\n\n

Az\u0259rbaycanl\u0131lar\u0131n M\u0259d\u0259niyy\u0259t M\u0259rk\u0259zinin m\u0259tbuat xidm\u0259tind\u0259n Trend-\u0259 veril\u0259n m\u0259lumata g\u00f6r\u0259, t\u0259dbird\u0259 G\u00fcrc\u00fcstan\u0131n m\u0259d\u0259niyy\u0259t v\u0259 abid\u0259l\u0259rin m\u00fchafiz\u0259si naziri Quram Odi\u015faria \u00e7\u0131x\u0131\u015f ed\u0259r\u0259k G\u00fcrc\u00fcstan v\u0259 Az\u0259rbaycan xalqlar\u0131n\u0131n tarixi dostlu\u011fundan dan\u0131\u015f\u0131b v\u0259 A\u015f\u0131q Kamandar haqq\u0131nda \u00fcr\u0259k s\u00f6zl\u0259rini bildir\u0259r\u0259k qeyd edib ki, G\u00fcrc\u00fcstan M\u0259d\u0259niyy\u0259t v\u0259 Abid\u0259l\u0259rin M\u00fchafiz\u0259si Nazirliyi A\u015f\u0131q Kamandar \u018ff\u0259ndiyevin ev muzeyini qeydiyyata g\u00f6t\u00fcr\u0259c\u0259k:<\/p>\n\n\n\n

“\u00d6t\u0259n il A\u015f\u0131q Kamandar\u0131n yubileyind\u0259 i\u015ftirak etdim v\u0259 \u00e7ox m\u0259mnun qald\u0131m. O t\u0259dbird\u0259 q\u0259rara ald\u0131q ki, a\u015f\u0131\u011f\u0131n evind\u0259 b\u00fcst qoyulsun v\u0259 ev muzeyi statusu verilsin. Bu m\u0259d\u0259niyy\u0259t oca\u011f\u0131 bizim birlik oca\u011f\u0131m\u0131zd\u0131r. Az\u0259rbaycan v\u0259 G\u00fcrc\u00fcstan m\u00fcnasib\u0259tl\u0259ri h\u0259r zamank\u0131 kimi bu g\u00fcn d\u0259 dostluq v\u0259 qarda\u015fl\u0131q xarakteri da\u015f\u0131y\u0131r. G\u00fcrc\u00fcstan-Az\u0259rbaycan dostlu\u011fu b\u00fct\u00fcn \u00f6lk\u0259l\u0259r\u0259 n\u00fcmun\u0259 olmal\u0131d\u0131r. H\u0259r iki xalq\u0131n z\u0259ngin m\u0259d\u0259niyy\u0259ti vard\u0131r. G\u00fcrc\u00fcstanda a\u015f\u0131q s\u0259n\u0259tini inki\u015faf etdirm\u0259k \u00fc\u00e7\u00fcn A\u015f\u0131qlar Festival\u0131 da ke\u00e7irm\u0259yi planla\u015fd\u0131r\u0131r\u0131q, bu festival\u0131n da A\u015f\u0131q Kamandar\u0131n ad\u0131 il\u0259 ba\u011flanaca\u011f\u0131n\u0131 bildirir\u0259m”.<\/p>\n\n\n\n

T\u0259dbird\u0259 G\u00fcrc\u00fcstan\u0131n Ba\u015f naziri Bidzina \u0130vani\u015fvilinin k\u00f6m\u0259k\u00e7isi Savalan Mirz\u0259yev, Az\u0259rbaycan s\u0259firliyinin \u0259m\u0259kda\u015flar\u0131, Az\u0259rbaycan v\u0259 G\u00fcrc\u00fcstan A\u015f\u0131qlar Birliyinin n\u00fcmay\u0259nd\u0259l\u0259ri, ziyal\u0131lar, jurnalistl\u0259r, QHT r\u0259hb\u0259rl\u0259ri, k\u0259nd sakinl\u0259ri v\u0259 dig\u0259r r\u0259smi \u015f\u0259xsl\u0259r i\u015ftirak edibl\u0259r.<\/p>\n\n\n\n

Sonda G\u00fcrc\u00fcstan A\u015f\u0131qlar Birliyinin \u00fczv\u00fc olan a\u015f\u0131qlar\u0131n ifas\u0131nda saz havalar\u0131 s\u0259sl\u0259ndirilib, konsert ke\u00e7irilib.<\/p>\n\n\n\n

\"Nazir:<\/figure>\n\n\n\n

Google Translate
“Minister: Georgian-Azerbaijani friendship should be an example for all countries
CULTURE September 19, 2013 \/ Culture

With the support of the Georgian Ministry of Culture and Monument Protection, the State Oil Company of Azerbaijan, the Azerbaijani Embassy in Georgia, the Azerbaijani Cultural Center and the Georgian Ashugs Union, the late Ashug Kamandar Efendiyev, one of the prominent representatives of 20th century Azerbaijani ashug art bust and house museum were inaugurated. Speaking at the event, Georgian Minister of Culture and Monument Protection Guram Odisharia spoke about the historical friendship between the Georgian and Azerbaijani peoples and expressed his heartfelt condolences to Ashig Kamandar, noting that the Georgian Ministry of Culture and Monument Protection will register the house museum: “Last year I attended the jubilee of Ashug Kamandar and I was very pleased. At that event we decided to put a bust in the house of Ashug and give it the status of a house museum. This cultural center is our center of unity. “Georgian-Azerbaijani friendship should be an example for all countries. Both peoples have a rich culture. We plan to hold the Ashugs Festival to develop the art of ashugs in Georgia, and I declare that this festival will be closed under the name of Ashug Kamandar.” The event was attended by Georgian Prime Minister Bidzina Ivanishvili’s aide Savalan Mirzayev, Azerbaijani embassy staff, representatives of the Azerbaijani and Georgian Ashugs Union, intellectuals, journalists, NGO leaders, villagers and other officials. At the end, a concert was held performed by ashugs, members of the Georgian Ashugs Union.”<\/p>\n\n\n\n



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Marneulid\u0259 a\u015f\u0131q Kamandar \u018ff\u0259ndiyevin ev-muzeyi \u0259sasl\u0131 t\u0259mir olunur<\/a><\/strong><\/h5>\n\n\n\n
\"marneulide-ashiq-kamandar-efendiyevin-ev-muzeyi-esasli-temir-olunur\"\/<\/figure>\n\n\n\n

\u00a026 dekabr 2020 <\/p>\n\n\n\n

<\/h2>\n\n\n\n

“Az\u0259rbaycan d\u00f6vl\u0259ti m\u0259d\u0259niyy\u0259timizin, x\u00fcsus\u0259n ozan-a\u015f\u0131q s\u0259n\u0259tinin inki\u015faf\u0131na, bu sah\u0259d\u0259 \u00e7al\u0131\u015fanlara, inki\u015faf etdir\u0259nl\u0259r\u0259 diqq\u0259t v\u0259 qay\u011f\u0131 g\u00f6st\u0259rib. X\u00fcsusil\u0259 d\u0259 korifey s\u0259n\u0259tkarlar harada ya\u015famas\u0131ndan as\u0131l\u0131 olmayaraq, h\u0259rt\u0259r\u0259fli diqq\u0259t v\u0259 qay\u011f\u0131 il\u0259 \u0259hat\u0259 olunublar.<\/p>\n\n\n\n

“\u0130ki sahil” AZ\u018fRTAC-a istinad\u0259n x\u0259b\u0259r verir ki, G\u00fcrc\u00fcstan\u0131n Bor\u00e7al\u0131 b\u00f6lg\u0259sind\u0259n olan ozan-a\u015f\u0131q s\u0259n\u0259t f\u0259dail\u0259ri d\u0259 diqq\u0259td\u0259n k\u0259narda qalmay\u0131blar.<\/p>\n\n\n\n

Az\u0259rbaycan\u0131n G\u00fcrc\u00fcstandak\u0131 s\u0259firi Faiq Quliyev bu m\u0259qs\u0259dl\u0259 Marneuli rayonunun K\u0259p\u0259n\u0259k\u00e7i k\u0259ndind\u0259, ozan-a\u015f\u0131q s\u0259n\u0259ti ustalar\u0131ndan biri olan, korifey s\u0259n\u0259tkar a\u015f\u0131q Kamandar \u018ff\u0259ndiyevin ev-muzeyind\u0259 olub.<\/p>\n\n\n\n

T\u00fcrkiy\u0259nin G\u00fcrc\u00fcstandak\u0131 s\u0259firi Fatma Ceren Yazqan\u0131n da i\u015ftirak\u0131 il\u0259 ke\u00e7iril\u0259n g\u00f6r\u00fc\u015fd\u0259 bildirilib ki, ustad bu \u0259b\u0259diya\u015far s\u0259n\u0259tin z\u0259nginl\u0259\u015fm\u0259si v\u0259 inki\u015faf\u0131nda misilsiz xidm\u0259tl\u0259r g\u00f6st\u0259rib. Bor\u00e7al\u0131 a\u015f\u0131q m\u0259kt\u0259binin yetirm\u0259si olan A\u015f\u0131q Kamandar 1984-c\u00fc ild\u0259 Az\u0259rbaycan\u0131n \u201c\u018fm\u0259kdar m\u0259d\u0259niyy\u0259t i\u015f\u00e7isi\u201d ad\u0131na, 1999-cu ild\u0259 is\u0259 G\u00fcrc\u00fcstan\u0131n y\u00fcks\u0259k m\u00fckafat\u0131 olan \u201c\u015e\u0259r\u0259f\u201d ordenin\u0259 layiq g\u00f6r\u00fcl\u00fcb. 2012-ci ild\u0259 s\u0259n\u0259tkar\u0131n 80 illik yubileyi h\u0259m Tbilisi, h\u0259m d\u0259 Bak\u0131 \u015f\u0259h\u0259rl\u0259rind\u0259 d\u00f6vl\u0259t s\u0259viyy\u0259sind\u0259 qeyd edilib. El\u0259 h\u0259min ild\u0259 A\u015f\u0131q Kamandar\u0131n ev-muzeyi yarad\u0131l\u0131b v\u0259 2013-c\u00fc ild\u0259 orada b\u00fcst\u00fc qoyulub.<\/p>\n\n\n\n

Qeyd olunub ki, A\u015f\u0131q Kamandar\u0131n ev-muzeyi bu yax\u0131nlarda T\u00fcrkiy\u0259nin \u018fm\u0259kda\u015fl\u0131q v\u0259 Koordinasiya Agentliyinin (T\u0130KA) G\u00fcrc\u00fcstan n\u00fcmay\u0259nd\u0259liyi t\u0259r\u0259find\u0259n d\u00fcnya muzeyl\u0259ri standartlar\u0131na uy\u011fun olaraq t\u0259mir edilir. T\u0259mir i\u015fl\u0259rini T\u0130KA-n\u0131n G\u00fcrc\u00fcstan \u00fczr\u0259 \u0259laq\u0259l\u0259ndiricisi Necla Demirda\u011f\u0131n r\u0259hb\u0259rliyi il\u0259 G\u00fcrc\u00fcstanda muzeyl\u0259rin b\u0259rpas\u0131 v\u0259 qurulmas\u0131 \u00fczr\u0259 t\u0259cr\u00fcb\u0259li m\u00fct\u0259x\u0259ssisl\u0259r apar\u0131r. T\u0259mir i\u015fl\u0259rinin m\u0259sl\u0259h\u0259t\u00e7isi folklor\u015f\u00fcnas, professor Mahmud Kamalo\u011fludur.<\/p>\n\n\n\n

Faiq Quliyev v\u0259 Fatma Ceren Yazqan muzeyd\u0259 g\u00f6r\u00fcl\u0259n i\u015fl\u0259rl\u0259 yax\u0131ndan tan\u0131\u015f olub, t\u00fcrk xalqlar\u0131na m\u0259xsus olan ozan-a\u015f\u0131q s\u0259n\u0259tinin tarixi, bu s\u0259n\u0259tin b\u00f6lg\u0259d\u0259ki dig\u0259r xalqlara t\u0259siri bar\u0259d\u0259 fikir m\u00fcbadil\u0259si apar\u0131blar.<\/p>\n\n\n\n

Diplomatlar muzeyl\u0259 ba\u011fl\u0131 t\u00f6vsiy\u0259l\u0259rini verib, g\u0259l\u0259c\u0259kd\u0259 d\u0259 b\u00f6lg\u0259d\u0259 olan bel\u0259 m\u0259d\u0259niyy\u0259t ocaqlar\u0131n\u0131n f\u0259aliyy\u0259tin\u0259 h\u0259r c\u00fcr d\u0259st\u0259kl\u0259rini ver\u0259c\u0259kl\u0259rini vur\u011fulay\u0131blar.<\/p>\n\n\n\n

Ev-muzeyinin g\u0259l\u0259n ilin \u0259vv\u0259ll\u0259rind\u0259 yenid\u0259n s\u0259n\u0259tsev\u0259rl\u0259rin ixtiyar\u0131na veril\u0259c\u0259yi g\u00f6zl\u0259nilir.”<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

Source<\/a><\/p>\n\n\n\n

Google Translate<\/p>\n\n\n\n

“The house-museum of ashug Kamandar Efendiyev is being overhauled in Marneuli The Azerbaijani state has paid attention and care to the development of our culture, especially the art of ozan-ashug, to those who work and develop in this field. In particular, the leading artists, regardless of where they live, are surrounded by comprehensive attention and care. “Iki Sahil” reports with reference to AZERTAC that the devotees of art from the Borchali region of Georgia were not left out of the spotlight. For this purpose, Azerbaijani Ambassador to Georgia Faig Guliyev visited the house-museum of Ashug Kamandar Efendiyev, one of the masters of the art of ozan-ashug, in Kapanakchi village of Marneuli region. It was stated at the meeting with the participation of Turkish Ambassador to Georgia Fatma Ceren Yazgan that the master had rendered unparalleled services in the enrichment and development of this eternal art. A pupil of the Borchali Ashug School, Ashig Kamandar was awarded the title of “Honored Cultural Worker” of Azerbaijan in 1984, and the Order of Honor, the highest award of Georgia, in 1999. In 2012, the 80th anniversary of the artist was celebrated at the state level in both Tbilisi and Baku. In the same year, the house-museum of Ashig Kamandar was established and in 2013 a bust was erected there. It was noted that Ashig Kamandar’s house-museum was recently renovated by the Georgian office of the Turkish International Cooperation and Development Agency (TIKA) in accordance with world museum standards. The repair work is being carried out by experienced specialists in the restoration and construction of museums in Georgia under the leadership of TIKA Georgia Coordinator Necla Demirdag. The consultant for the repair work is a folklorist, Professor Mahmud Kamaloglu. Faig Guliyev and Fatma Ceren Yazgan got acquainted with the work done at the museum and exchanged views on the history of the art of ozan-ashug belonging to the Turkic peoples, the impact of this art on other peoples in the region. The diplomats gave their recommendations on the museum and stressed that they would continue to support the activities of such cultural centers in the region. The house-museum is expected to be reopened to art lovers early next year.”<\/p>\n","protected":false},"excerpt":{"rendered":"

***** Foucault\u2019s Museum: Difference, Representation, and GenealogyBeth LordAbstract – Foucault\u2019s work has been used to promote a negative view of the museum as an Enlightenment institution that embodies state power and strives to order the world according to universal rules\u00a0and the concept of a total history. This article argues that an analysis of Foucault\u2019s work […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-217","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/pages\/217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/comments?post=217"}],"version-history":[{"count":5,"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/pages\/217\/revisions"}],"predecessor-version":[{"id":359,"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/pages\/217\/revisions\/359"}],"wp:attachment":[{"href":"https:\/\/museum-inside-out.com\/index.php\/wp-json\/wp\/v2\/media?parent=217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}